Did the Rebels truly defeat Palpatine’s Empire at the Battle of Endor? The deep roots of the Star Wars mythos continue exploring that subject with tremendous zeal. In the literature of the galaxy far, far away, the conflict between the Alliance to Restore the Republic and the crumbling Empire has played out in a multitude of wars for years beyond Return of the Jedi. Though the Galactic Civil War finally came to an end with the signing of a peace treaty almost two decades after the desolation of the second Death Star, this no-holds-barred primer profiles the most memorable and powerful Imperial renegades of those intervening years, the so-called “Warlords,” who fought valiantly, viciously, and fanatically for the scraps of the once-glorious First Galactic Empire and whose selfishness ultimately brought about its self-destruction. (In case you missed it, check out part one of “The Imperial Warlords: Despoilers of an Empire.”)
One big part of Star Wars‘ appeal — for myself, and for many fans, I’d imagine — is the sheer invention and creativity seen in the films. It’s the ships and models filled with details, like scorch marks on X-wings and the unique look of every lightsaber hilt. It’s the costumes that blend samurai influence and 1960s comic book art, but look timeless. It’s the beauty of the designs, for characters and locales both good and evil. The magic of Star Wars is how all of that comes together to create an amazing world, inspiring wonder about how it was made — and, to a greater extent, if Star Wars technology could be made real.
As the 37th Star Wars Christmas arrives, it’s a great opportunity to roll back the years to the very first, in 1977, and see what it was like here in the UK. Compared to the traditional Star Wars Christmases that have followed, it was distinctly unique.
After the release and record-breaking success of Star Wars in North America on 25th May 1977, the anticipation for Star Wars in the UK was palpable. As was the way back in the ’70s and ’80s, UK audiences had to often wait months for American films to cross the Atlantic, and so all summer and autumn we heard about this groundbreaking space fantasy that broke convention and records in equal measure, full of faces familiar to UK audiences.
Tatooine, Alderaan, Hoth, Bespin, and Yavin are names of Star Wars planets that all fans are quite familiar with nowadays. With Star Wars Rebels and several new movies on their way, we’ll soon get acquainted with new planets we might have never heard of before. Or perhaps the names of these planets will sound familiar after all.
The Dark Horse Comics adaptation of The Star Wars brings to life the rough draft from 1974 by George Lucas, and the series enables us to get a better look at planets that appeared in the early imaginings of The Star Wars, such as Aquilae and Ophuchi. With the recent release of The Making of Return of the Jedi the circle of the classic “making of” books by Jonathan Rinzler is complete. This trilogy offers a great amount of information about the different drafts that were written for the films.
Let’s have a look at the names of the planets and moons that were used in the drafts of the movies. Maybe we will see some of them resurface sooner or later…
The eyes of sci-fi and fantasy, anime, and comics fans across the UK turned to Birmingham, the nation’s second city, over the weekend of 23rd and 24th November as Memorabilia returned to Brum for the second time this year, bringing with it stars of screens both large and small, voice actors, sports stars, cult heroes, comic artists, and writers and cosplayers of every ilk. And, as ever, it made for a fascinating two days of fun, color and vibrancy celebrating every facet of fandom.
In 1992, authors Paul and Hollace Davids released the first book in their Star Wars series of young adult novels: The Glove of Darth Vader. This six-book series featured the adventures of Jedi Prince Ken as he fought alongside Luke Skywalker and friends in a New Republic spy organization known as SPIN. Perhaps most famously, the Glove of Darth Vader series introduced the world to the Prophets of the Dark Side, not one but two three-eyed mutants rumored to be the son of Emperor Palpatine, Jabba the Hutt’s long-haired father Zorba and, of course, the titular indestructible Sith gauntlet. Since then, authors have integrated these children’s stories into the larger Star Wars tapestry. This article seeks to pull back the curtain on SPIN, to reveal its origins and place in the New Republic as well as its lasting legacy.
The challenge: design and build a “real scale” exhibit incorporating approximately 25% of Han Solo’s beloved YT-1300 light freighter, the Millennium Falcon, then assemble it inside the New Exhibition Center in Pudong, Shanghai, China. The entire project, decided by the Disney China consumer products team for the China Toy Fair less than three weeks from the event, had to go from planning to drawing to construction to execution in that very short amount of time. I happily volunteered to help with design, content, and approvals, but could it be done?
The answer: “This is China. We can do anything.”
I heard that phrase much more than once while I was in Shanghai for Toy Fair and the Disney Consumer Products licensee meeting. I hoped to provide experience in and knowledge of the galaxy far, far, away, and help the process as best I could. I quickly learned that when my colleagues quoted the above, they were not kidding. We made changes and edits on the fly right up to the morning the show opened, but the result was a spectacular display that did indeed look like the fastest hunk of junk in the galaxy on the outside, and house a Star Wars movie timeline and licensed toy exhibit on the inside.