Archive for ‘The Movies’



The Cinema Behind Star Wars: Jaws

Bryan Young | May 21, 2013

Steven Spielberg’s Jaws might be one of the most influential films in history. It set the stage as one of the first, true summer blockbusters in 1975, paving the way for the cultural hysteria Star Wars would cause just two years later. Add to the fact that it stands to this day as a fantastic, well-made film, and it’s no wonder that its influence has seeped into the world of film and has devotees among the elites of the entertainment industry. Bryan Singer’s production company is called “Bad Hat Harry” from a line on the beach in Jaws. Ain’t It Cool News’ best journalist, Quint, takes his name from Robert Shaw’s salty character. I once even accidentally proposed marriage to my wife in the middle of the USS Indianapolis speech. (True story, but one for a different time.)

Jaws is no less important to those who create Star Wars: The Clone Wars. The first time I realized there was a hardcore Jaws fan on the crew of The Clone Wars was watching the thirteenth episode of the third season. “Monster” served as our introduction to the now-iconic villain Savage Opress. The homage from Jaws was subtle and CG supervisor Joel Aron later told me that he thought I might have been the only person who noticed it. But in Jaws (and in a few other Spielberg pictures) there is a lovely shot of a night sky, a quiet moment, and a falling star streaks across the frame. The moment is repeated in loving memory in “Monster” and it brought a smile across the face of the film nerd inside of me.

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The Cinema Behind Star Wars: Roger Ebert and Citizen Kane

Bryan Young | April 11, 2013

I had something else planned for this month’s Cinema column, but after the passing of Roger Ebert, in my sadness I retreated back into his work and found some incredibly fascinating things that connect to the Star Wars universe.

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Star Wars Mysteries: Getting to the Bottom of Max Rebo

Pablo Hidalgo | February 20, 2013
Star Wars Mysteries: Getting to the Bottom of Max Rebo
Not since Lapti Nek will Max Rebo fans have their worlds rocked this hard. A few months back, ace illustrator Brandon Bird reached out to me via the magic of the Internet to back up his contention concerning Max Rebo, about something most people don’t know about the elephantine keyboardist. Referencing an online article about the action figure incarnation of Max, Brandon insisted that Max was never ever supposed to have legs. And you know what, he’s absolutely right.
[action figure picture]
This diapered humanoid is how Kenner extrapolated the body of Max Rebo in 1983 for his first toy. It was created with the assumption that he’s sitting at the center of his keyboard. Since that time, the Expanded Universe has run with the idea that that Max has legs. The Ortolan species (which was established by Troy Denning in 1989’s Galaxy Guide 4: Alien Species) has two legs and two arms. But that was never the intent of Max’s original designers.
[Ortoloan artwork]
Below is the maquette that Phil Tippett created for Max to first define the alien. In this early incarnation, he was known as Red Ball Jett. Look at the shape of those limbs. Those are legs. They terminate not at shoulders, but rather to large muscles at Max’s base that look like a gluteus maximus. A butt, if I may be so bold.
Schematic artwork defining how Max could possibly work made it clear he doesn’t have shoulders. The limbs begin at the base. Note though, in the final film the number of performers inside Max changed to just one.
Max doesn’t have shoulders. Those limbs begin at his base.
Then, when we look at some of the schematic art for the creature, the idea
But the real clincher is this blueprint for the keyboard — called the Red Ball Jett organ. Yes, it was built as a donut-shaped instrument because the filmmaking reality necessitated that the performer sit inside. But looking at the callouts in the blueprint, the “ring” that surrounds Max’s non-existent trunk is described as a cushion. It was meant to be a pillow that Max is sitting on, not a
Of course, when the creature was created, it was hard not to see the limbs as arms, because that is what was needed to drive the performance. The peculiar hinging of the limbs – the upward slant of femurs to knee to shins instead became lateral slants of humerus to elbow to forearms. The skinflaps remained. And yes, I can understand why an artist would interpret them as arms.
But that wasn’t how Max was designed.

Not since “Lapti Nek” will Max Rebo fans have their worlds rocked this hard. A few months back, ace illustrator Brandon Bird reached out to me via the magic of the Internet to back up a certain contention regarding Max Rebo, concerning something most people don’t know about the elephantine keyboardist. Referencing an online article about the action figure incarnation of Max, Brandon insisted that Max was never ever supposed to have legs. And you know what, he’s absolutely right.

Max's legs -- the blue elephant in the room.

Max's legs -- the blue elephant in the room.

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Director J.J. Abrams and His Lifelong Appreciation of Star Wars

Bonnie Burton | January 29, 2013

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Photo by Joichi Ito (Creative Commons Attribution Licensed)
Photo published with photographer’s permission.

Director J.J. Abrams will be directing Star Wars: Episode VII, but he’s been a lifelong fan of the saga. In fact, his common appreciation for Star Wars led him to working with his regular collaborator Damon Lindelof, not to mention the endless homages to the films in his various projects such as Lost and Fringe.

Here’s a selection of quotes from Abrams from previous StarWars.com interviews about the impact Star Wars has had on his life and career.
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It Was Clearly the Will of the Force

Pablo Hidalgo | January 21, 2013

Just pointing out something that you’ll now never be able to un-see.

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Pablo Hidalgo is paid to know the difference between Romba and Lumat and dies a little bit inside when you misspell Wookiee or Lucasfilm. He lives in San Francisco and also on Twitter as @infinata.

StarWars.com Weekly Roundup: November 9, 2012

StarWars.com Team | November 9, 2012

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Wondering what’s been happening at StarWars.com? Here’s a quick roundup of what you might have missed this week, including some major Star Wars: Episode VII news and lots more!

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Corruption, Exploitation, and Decay: The Politics of Star Wars

Eric Geller | November 6, 2012

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The Star Wars movies were about many things — good versus evil, The Hero’s Journey, tolerance versus oppression, and so on — but one of the most fundamental tensions in all six films concerned the relationship between the state and its people. In the Prequel Trilogy, this emphasis on politics was more pronounced: some of the most important developments in the first three films took place in the Republic Senate, as Palpatine twisted that august body to suit his needs. When Ben Kenobi told Luke that “For over a thousand generations, the Jedi Knights were the guardians of peace and justice in the Old Republic,” that lit a firestorm of speculation about how exactly the Republic had fallen. Through carefully crafted speeches and secret plots, the newer trilogy showed us the fall of democracy itself.

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Lucasfilm + Disney = More Star Wars and Great Times for Fans

Steve Sansweet | October 30, 2012

Today’s double-barreled announcement – that The Walt Disney Co. is buying Lucasfilm Ltd. and that more Star Wars movies are going to be made starting almost immediately – has me pinching myself – but this is no dream. For me, and for countless millions of fellow Star Wars fans worldwide, this thunderclap couldn’t possibly be any better. Let me explain.

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5 Scary Star Wars  Scenes

StarWars.com Team | October 23, 2012

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While we all love Star Wars for its positive message, swashbuckling thrills, and seemingly endless amount of Cool Stuff (lightsabers, Jedi, X-wings, blasters, the list goes on…), it’s easy to forget that an essential part of the Star Wars mix is fear. It’s one of the tenets of the dark side, and as such, it plays a big role in the films. And while Star Wars obviously isn’t gore-filled, there are spooky moments, jump-out-of-your-seat moments, and emotionally scary moments. Here’s a rundown of some the scariest scenes and moments from the Star Wars films.

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Star Wars Storyboards—The Prequels  Book Announced

J.W. Rinzler | October 18, 2012
An Ed Natividad concept board depicting a Jedi assault on Theed from Episode I.

An Ed Natividad concept board depicting a Jedi assault on Theed from Episode I.

One department head once remarked to me that there weren’t any storyboards done for the Star Wars prequel trilogy. What he/she meant was that, in the traditional sense, animatics had replaced storyboards by the mid to late 1990s, at least at Lucasfilm, so there weren’t any Joe Johnston-style storyboards created for ILM. Instead CG animatics served as the basis for ILM’s photo-real digital shot production. For the original trilogy, postproduction boards had acted as a guide for the camera crews working with actual models, miniatures, mattes, and so on, listing the elements needed for each shot, which would all be combined on the Optical printer, with a few exceptions. Those sorts of boards were effectively gone by the time Episode I rolled around. But what our newly announced book Star Wars Storyboards—The Prequels makes clear is that a whole lot of storyboards were created for the prequels (it’s scheduled for a spring 2013 publication from Abrams).

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