When I started working on Vader’s Little Princess, I wanted to come up with a bit more than a hundred ideas, from which we’d select the favorites to include in the book. Some of these ideas were taking parenting situations and fitting them into a Star Wars scene, and some were characters or bits of dialogue that I wanted to include and just needed to find the right parenting scenario to fit with them. I loved drawing IG-88 in Darth Vader and Son, and wanted to draw him again, as well as seeing if I could figure out a way to include Vader’s “no disintegrations” line. My first idea was Vader using IG-88 to deliver flowers to his daughter. The initial sketch wasn’t quite finished, but I thought I could refine it to make it work better.
Archive for ‘Books and Comics’
Some friendships are forged in a single moment, others from a lifetime of experiences shared. Poets have devoted countless pages to celebrating such friendships, but there is another about which far less has been written. That friendship is forged in chrome.
C-3PO, built by nine-year-old Anakin Skywalker from the scrapped remains of several Cybot Galactica protocol droids, had a marked tendency toward fretting and prissiness. The smaller R2-D2, an Industrial Automaton astromech with an amazing knack for thinking his way out of trouble, had little tolerance for such qualities. And yet, theirs is a friendship that has stood the test of time.
Introduced to each other just before the Battle of Naboo and reacquainted ten years later, R2-D2 and C-3PO went on to share many adventures together. The droids’ circuits recoiled as they watched the Republic transform into the Empire, Anakin Skywalker fall to the dark side, and Padmé Amidala die in child birth. But they also witnessed the birth of a new hope, the Skywalker twins Luke and Leia.
By now most fans are aware that George Lucas has given us permission to adapt his rough draft for The Star Wars, which he wrote in 1974. As of today artist Mike Mayhew has finished pages for the first issue and is starting on issue #2, roughing in the action; colorist Rain Beredo is about half way done on issue #1. I’m in the middle of adapting issue #5 in the eight-issue arc. It’s safe to say we’re all enjoying it. Hats off to Randy Stradley at Dark Horse for finding Mike, and to Mike for recommending Rain. What a team!
I think fans are going to enjoy all this — from the most serious fan to the most casual fan, and perhaps the youngest fan — because George told such a cool, accessible story, and because Mike and Rain are doing such fantastic work. I’m pulling my weight, too (or hope I am). It’s fascinating to get into the nuts and bolts of George’s script, to examine closely and interpret, when necessary, fill in a few tiny gaps, and transfer the most visual and exciting aspects to sequential storytelling, panel by panel.
Some of the most popular Star Wars tales in both comics and prose fiction take place in eras or locales far removed from the stories of Episodes I-VI. The most recent example of this kind of story is Dark Horse Comics’ newest installment in the Legacy series, which takes place over 100 years after Return of the Jedi. Although a series like Legacy may not depict characters we’re immediately familiar with, it’s important that it still feel like Star Wars. But what does that mean, exactly?