Most of the rest of Season One plays out as it originally aired. Here’s a look at the next four episodes airing in syndication and my timeline notes.
I can hardly believe it. When I first arrived at Lucasfilm and George and I had our first meetings to discuss the The Clone Wars, he spoke of doing at least a hundred episodes. Well, in Season Five we will pass the 100 episode mark, and keep right on going. At the time, back in 2005, it was hard to imagine 100 episodes; we had a very small staff back then, and barely an idea of what the show might look like, or how we would achieve some of the ambitious visuals we were exploring.
When Tom Spina and I were brainstorming ideas to make our Celebration VI behind-the-scenes panel on the Mos Eisley cantina aliens truly memorable, we both gravitated to an unnamed alien lurking in the shadows of the infamous watering hole. Despite over three decades of scrutiny, this shifty looking barfly had managed to avoid the spotlight. So, Tom and I figured we’d give him his due, and also come up with a way to give him a name.
As someone who has made films and written stories, it’s almost impossible for me to completely contain the influences of the cinematic art I consume. Some might shy away of such influence and homage, worried too much about words like “originality,” but others have embraced those influences and created truly breathtaking works of art.
When I was young, I always thought Star Wars was created in a vacuum. Something so impressive had to be completely new, fresh, and original, right?
I had no idea about the long history of films that helped shape it into what it became as it formulated in the head of George Lucas. From old Flash Gordon serials to the works of Akira Kurosawa, Star Wars is a vibrant tapestry of what has come before it. Sometimes it’s not so apparent, but when you spot those influences, you can see how much the minds behind Star Wars, The Clone Wars, and everything else with a Star Wars logo, care passionately about what they do.
This one’s going to be short, as I’m on little sleep these days. Mornings and weekends, I continue to do the book map of The Making of Return of the Jedi, and am up to the ILM chapters. I’m really trying to use photos as large as I can. I feel that The Making of The Empire Strikes Back had too many photos on a page and the result was, often, a lot of clutter. Some of these photos for Return of the Jedi are so great, I want readers to be able to dive into them: George Lucas and Dennis Muren at ILM; Harrison Ford and Lucas together for the Ewok location shoot; Carrie Fisher on Jabba’s throne room set, etc. And as they say, a picture is worth…