“R2-D2, where are you?” and “There’s one! Set for stun!” will probably be two of the best recognized quotes from the Star Wars movies by parents in the ’70s and ’80s. These phrases were among two of the six sounds produced by Kenner’s Imperial Troop Transport vehicle. It was announced recently during the panel of Star Wars Rebels at New York Comic Con that this iconic toy will appear in the upcoming animated television series. So it seems like a perfect timing to have a closer look at the Kenner vehicles that have not (yet?) made it into a Star Wars movie. But, be not mistaken. Several of these vehicles have already flown, hovered or rolled their way into other mediums of the Star Wars franchise.
Archive for ‘Books and Comics’
The Wheel, the most opulent gambling resort in the Star Wars galaxy, was created in 1978 by comics legends Archie Goodwin and Carmine Infantino for a storyline in Marvel Comics’ Star Wars issues #18-23, leaving an indelible mark on the Expanded Universe. Since then, it has been a major setting for stories set during the Clone Wars, and more than a hundred years into the future in Dark Horse’s Republic and Legacy series, as well as featuring in the Essential Guide books and many roleplaying game titles. This is its story. In case you missed it, you can find part one here.
Today sees the release of J.W. Rinzler’s The Making of Return of the Jedi, an epic tome chronicling the years of hard work that went into the last film in the original Star Wars trilogy. Rinzler, executive editor at Lucasfilm, had unprecedented access to the source materials, concept art, and handwritten notes in the Lucasfilm Archives, and his extensive research shines through in the pages of this book.
Nothing like killing two birds with one stone: Joe Johnston drew this concept sketch to go with early drafts of Revenge of the Jedi. But it also illustrates something from the very first draft of Star Wars, which George wrote back in 1974. In the “Revenge” scripts, Princess Leia has various run-ins with some vaguely described “Imperial trackers,” who are also causing problems with the Ewoks and Yussem. Given that Johnston has added forearm guards and a head mask, it’s possible that George Lucas had already envisioned these Imperials seated on rocket bikes (later, speeder bikes). They also had “T-bombs” and a garland of (Ewok? Yussem?) teeth.
Hello! It is my pleasure to write a piece for the official Star Wars blog about myself, Hans Jenssen, and my good friend and very talented colleague Richard Chasemore. I’m proud to say we illustrated almost the entire series of DK’s Star Wars: Incredible Cross-Sections and Locations books.
PART 1: BEFORE THE REPUBLIC
This article kicks off a 12-part series revealing — for the first time ever — material cut from Star Wars: The Essential Guide to Warfare before its April 2012 publication. Each section will be preceded by brief comments from Jason Fry and Del Rey editor Erich Schoeneweiss discussing why the material wound up on the cutting-room floor.
The mere mention of its name conjures images of luxury. Lights. Excess. And sin.
And money. Money by the starshipful.
In a galaxy spanning millions of systems, where corruption and dark ambitions run rampant, the depravities one might wish to sample are as limitless as space itself. From spice addiction and forbidden knowledge to indulgences of the flesh of any number of species — if there’s a demand for something, then someone, somewhere, can supply it.
Among such varied vices, one constant throughout the galaxy is the love of gambling. Whether at Nar Shaddaa’s sabacc tables, Umgul’s blobstacle course, Coruscant’s garbage pit races or Vorzyd V’s Cosmic Chance boards, there is no end to the number of credits one can win — or lose — pursuing instant wealth. But of all the popular gambling havens, few have attained the notoriety of the Wheel. Its reputation for debauchery unparalleled, its gladiatorial arenas the stuff of legend, the Wheel is known far and wide as the place to go for those looking to risk it all….
Today marks the release of the new novel Star Wars: Empire and Rebellion — Razor’s Edge, which headlines Princess Leia in a story set between A New Hope and The Empire Strikes Back. Like last month’s Star Wars: Kenobi, the stakes are more personal for the main characters, and Razor’s Edge takes a deep dive into the motivations that drive the Rebel leader. In an interview at Hollywood.com, author Martha Wells talked about her approach to the character: “I think the key is not just seeing Leia as a stereotypical strong woman character, but as someone who is young but is a leader, who has taken on huge responsibilities, but also as someone who has an epic temper and can be sarcastic, and can make mistakes. She’s not a perfect princess, she’s a person with flaws and vulnerabilities who manages to do what she needs to do anyway, and I think those things were conveyed in Carrie Fisher’s performance.”