In its third year, Seattle’s GeekGirlCon highlights what fans can accomplish when they put their hearts and minds into a passion project. The convention, which is run by fans for fans, sold out before the doors opened. My experience with GeekGirlCon exemplifies the best thing about conventions: getting to meet new people — specifically, in my case, lots of new Star Wars fans.
Archive for 2013
Feel the Force…of savings! There will be sales and savings on almost everything Star Wars-related this holiday weekend and StarWars.com has compiled a guide to some of the best discounts available. Check out the list below and consider your search over: These are the deals you’re looking for.
By skybridges and streets, according to event organizer Steve Perry, well over 30,000 attendees descended on Providence’s Rhode Island Convention Center to gather at the 2013 Rhode Island Comic Con. Among a huge list of media guests and artists, Perry featured what he billed as a “very, very rare bounty hunters reunion.” Several jumped across The Pond via the Leisure Corridor. Dak made the transit north from Tierfon on the I-95 hyperlane, re-entering realspace somewhere to the west to stay at the baronial hall of a local lord and lady (a noted paleontologist pair) on the Waterman Reservoir. Headlining the con was the debonair onetime gambler and baron administrator of Cloud City, Lando Calrissian. RICC proved to be an epic Underworld gathering.
Being a proud member of the initial generation of Star Wars fans who marveled at the first film back in 1977, it’s always nostalgic look back at that time, remembering those first releases of comics, books, novels, toys, and audio. One of the many Star Wars products to arrive in the late ’70s was the latest in an ongoing line of Read-Along Adventures, released by Buena Vista Records (known here in the UK as Rainbow), which is part of Disney.
The format had been in existence since 1958, when Disneyland Records released their first large format record of Sleeping Beauty and soon a slew of Disney titles including Herbie and The Love Bug, Treasure Island, Frosty’s Adventures in Wonderland and Pirates of the Carribean (based on the ride of course, not the film) were released. 1977 arrived, bringing with it Star Wars, and by 1979 (under the freshly monickered Buena Vista Records label) the galaxy far, far away dropped into a million kids’ cassette decks and record players.
In a galaxy of 400 billion stars, where sentient life emerged on some 20 million distinct worlds, music, one of the hallmarks of civilized culture, has evolved in an almost limitless variety.
Some styles remain planetary bound, their appreciation limited to their progenitors. Gamorrean opera and baka rock has mostly failed to find an appreciative audience in the galaxy at large, outside of expatriate Gamorreans, who tout its snorting and squealing as sublime. Likewise Verpine choral arrangements, whose members rub their legs together to produce their version of music, are not particularly well-regarded other than by insectoid species. In a pangalactic community of such varied biology and aural temperament, some sonic compositions even have negative physical effects which their creators are immune to. The deafening noise of Aridinian folk music famously causes human ears to bleed within the sounding of a few notes and has thus been strictly regulated outside of its native system. The smazzo percussion group Shluur was once escorted off the planet Clak’dor VII after it was found the music of its avant-garde composer Wurokk provoked violent aggression in the native Bith population and nearly leveled the capitol city of Weogar in destructive riots.
Yet other genres, such as the perennially popular jizz, seem to break orbit from their homeworlds and join the Galactic community at large, changing and in turn being changed by its interactions with other cultures. Symphonic classical composition has been a kind of neutral musical ground for the expression of heterogeneous cultures for millennia. A few musical styles, such as the traditional music of the reptilian Tarasin of Cularin, achieve popularity because of the unique, pleasing effect they have on extraterrestrial species; in this case, inexplicably soothing the gills of aquatic peoples.
It is known that the Wookiees of Kashyyyk beat their tree drums in celebration of Life Day as early as 1,500,000 BBY, and early writings found in the Petrax Historic Quarter of Coruscant speak of attempts to duplicate with woodwind instruments the haunting moonsong that occurs when wind passes through the wingflutes of ringed moon shadowmoths. Millennia before the Battle of Yavin, the fragile-boned, flying reptilian Vors of Vortex in the Glythe sector were already performing their annual storm solstice Concert of the Winds, manipulating the passage of wind through the myriad tunnels and apertures of the mountainous, delicate crystalline Cathedral of Winds to produce complex, ethereal music unheard anywhere else in the galaxy.
Party time! Who among us doesn’t love to hear those words…especially if Star Wars is involved. Well, perhaps the party planner who has hundreds of details to attend to, tight budgets, deadlines to meet, occasional quirky people to contend with — and a reputation to uphold.
We’re just beginning to recover from the Nov. 2 World Record Night at Rancho Obi-Wan, an evening designed to mark our second anniversary as a nonprofit museum and to celebrate our inclusion in Guinness World Records 2014 as the “Largest Collection of Star Wars Memorabilia.” As important, the event was a fundraiser to help us continue our mission of Inspiring through the Force of Imagination, which is a nice way of saying — like any nonprofit — we need to keep raising money to stay alive. More on that later.
The first behind-the-scenes photo from Star Wars: Episode VII hit Twitter last Thursday, featuring director J.J. Abrams, Lucasfilm president Kathleen Kennedy, and a certain blue and white astromech droid — who StarWars.com can now confirm will indeed be in the film. But who are the two men standing behind Artoo, looking very protective of the “overweight glob of grease”?
One of my favorite things about Star Wars is that it’s the sort of thing you always remember where you were and what was going on in your life the first time you saw it or connected to it. Just about everyone has a very personal story about their early days in Star Wars. For my part, I was a young boy of three years old when I first saw Return of the Jedi in a darkened movie theater.
That moment changed my life forever and for the better.
It wasn’t just my first experience with Star Wars, though. The more I think back, I’m positive it’s my first visceral memory.
That’s the power of Star Wars. We all have that moment.
And that’s one of my favorite things about talking to people on the Full of Sith podcast. I get to talk to all kinds of amazing people about their first experiences or vibrant memories with Star Wars and how it affected them. And it’s a question everyone can answer.
I’ll be bringing you some of the best answers we’ve had on the show here to this space, but I wanted to start with a special one.
I spoke to Wil Wheaton and he agreed to do this segment for Full of Sith, discussing his most vivid memory of Star Wars from his youth and it’s quite a touching story. You can listen to it here (as long as you don’t mind listening to my co-host, Consetta Parker, talk about loaning her Boushh costume to The Big Bang Theory‘s Johnny Galecki for San Diego Comic-Con).